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Cécile Malaspina is directrice de programme at the Collège International de Philosophie, Paris. She is responsible for the Art and Curatorial Practice program at the New Centre for Research and Practice, and a Research Fellow at King’s College, London. She is the author of An Epistemology of Noise (Bloomsbury, 2018) and the principal translator of Gilbert Simondon’s On the Mode of Existence of Technical Objects.

Ashley Woodward obtained a B.A. (Hons.) at LaTrobe University and a PhD in philosophy at the University of Queensland. Before coming to Dundee in 2013, he taught in philosophy programs at a number of Australian universities. He has also taught in a number of creative arts programs. He is a founding member of the Melbourne School of Continental Philosophy, an executive committee member of the Friedrich Nietzsche Society, and an ongoing editor of Parrhesia: A Journal of Critical Philosophy.