Deric Carner frames art as an embodied practice rooted in touch, repetition, and material play rather than detached intellect. His chaotic studio becomes a site where forms emerge through intuition and experimentation. Rejecting rigid planning, he treats materials as active collaborators, allowing accidents and physical engagement to guide meaning. Art, for him, is not conceived fully in the mind but discovered through the body’s interaction with the world.

Alan Shepherd examines Bergson’s view of intuition as a key to metaphysical knowledge. Unlike Kant, Bergson believes we can directly access reality through our experience of time, or “duration.” Intuition expands through memory, evolution, and mystical insight, revealing a creative, loving force behind life. More than intellect, it offers deep, spiritual truths and reclaims metaphysics as a meaningful, ethical, and experiential pursuit.